This Drifting Excrement Was Far Too Meaningful! These Are the TV Disappointments of the Year.

As we consider the TV offerings of the recent year, a selection of series emerge not for their excellence, but for their notable shortcomings. Ranging from cringe-inducing sequels to bafflingly bad documentaries, here are the programmes that had us utterly bewildered or just reaching for the remote.

And Just Like That

How to start with this divisive spin-off? Burdened with dreadful writing, cringe-inducing arcs (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the show struggled to justify its existence. Briefly, as the third series began, it seemed as if it had finally hit its stride. Then came an episode centered on Seema’s natural deodorant. Little surprise the showrunner declared this would be the final season. It ended on a bum note; the closeup of Miranda’s toilet flooded with poo was just way too on-the-nose. Still, fans certainly had a hoot dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t let out a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the smallest of this drama's problems. The subject of a exceedingly uncommon no-star review, it was difficult to know where to start enumerating the flaws. The laughably leaden dialogue? The mind-numbing glorification of wealth and consumption? The almost wilful parade of cliches? Performances so bad they felt almost malicious? Suffice it to say “all of the above” and never speak of this show again. However, a second season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, domestic violence allegations and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this multi-part docuseries which chuckled along at Sheen’s various episodes of self-destructive excess while failing to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being indulged, so any pity this show might induce should be saved for the people who have had to suffer proximity with this charismatic but flippant egotist.

The Supercomputer Drama

Naturally we knew it was preposterous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We stuck with it out of sheer love for its stars … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. Talk about admitting defeat.

MobLand

Dodgy characters convening in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is harsh on the crime shows of the late 90s. Many seem a bit dated now, but at least they didn’t endure the ignominy of having to indulge unconvincing dialects. But there were many other issues. Primarily that it was just profoundly boring; a conflict over narcotics territory between various cockney rogues which seemed a bit basic.

With Love, Meghan

Given the degree to which she grinds the gears of the nation’s performatively angry commentators, it’s almost tempting to admire the Duchess of Sussex’s various ventures into twee lifestyle as intentional statements. But then you view them and are compelled to admit that in this case, they might have a point. It’s like watching a lifestyle magazine come to life; a poster for wine o’clock with ideas of grandeur; a procession of snoozing dogs, buzzing beehives, Hallmark sayings and pointless crafting “tips” you’ll not remember instantly. All underpinned by vast, largely unearned wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be said about both Victoria Beckham and her struggles with career, self-image, self-acceptance. But for whatever reason, this documentary series chose not to say them. Rather, the viewing was akin to reading a marketing catalogue. She obviously has every right to resent what she describes as her “stern” image. But sadly, she didn’t do herself any helps with this guarded letdown of a series.

The Game Show

It should have been the next big hit – except even camper, with a glamorous star as a deceased benefactor and a well-known personality overseeing her estate. What more could you want? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too confusing to detail what exactly was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a production that was trying way too hard to live up to something far greater than it.

The Lena Dunham Romcom

How do you succeed a show that captured a generation? The pressure was enormous for this starry romcom about Jessica, a hopeful New Yorker who lands in London with a broken heart. The lead actress seized the opportunity by the horns and was a delight to watch, reveling in Austen levels of romantic ideals. But it was all very slick and, paradoxically, was insufficient. Plus, the abundance of celebrity cameos involved felt icky.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the shrewd inclusion of gifted emerging comics, hopes were high. But sadly, most of it fell flat. A particular sketch was a single joke milked to a husk but repeated in every episode. One star seemed too willing to slip into a well-known irate mode. The behind-the-scenes sketches, in contrast, simply inspired the thought that they should probably have remained in there a bit longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this was not it. The material needed to be treated sensitively. Rather, the series struggled painfully to find the right tone, lumbering from oddly breezy, somewhat stylised farce to inevitably, real-life horror. Twisted? Arguably. A total mess? Very much so.

Prime Target

We love the star … but did we believe him playing the most brilliant maths genius since, a man so intelligent he’s on the verge of a breakthrough that could destabilise society? No! This globe-trotting thriller about secret services targeting – and killing off – intellectuals frankly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator renowned for sexual exploits as she prepared for her most extreme feat yet. What on earth would motivate her? What we craved was way more interrogation of her true psychology, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to drag her son away from the queue. What we got was horrific shots and zero critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.

Michael Doyle
Michael Doyle

Liam Visser is a financial analyst and freelance writer specializing in precious metals and online earnings.